Stephen Stills (b. 1945) turned acoustic guitar into a fiery blues instrument as a solo artist and performer. That alone might have made him a rock icon, but of course Stills was also busy producing, composing and singing with the most popular rock vocal group of all time, creating hit singles on his own, teaming up with ...
1762–96 English composer Born in London of Italian and English parentage, Storace studied in Naples and first worked in Florence. He was back in London in the 1780s and spent time in Vienna, where his sister Nancy was a singer (she was the first Susanna in Mozart’s Marriage of Figaro); he was a friend of Mozart’s. Back in London ...
1762–96, English The English composer Stephen Storace wrote his first two operas – Gli sposi malcontenti (‘The Discontented Newlyweds’, 1785) and Gli equivoci (‘The Misunderstandings’, 1786) – for Vienna. His next two works, written for London after 1787, were not particularly successful, and subsequently Storace concentrated on English dialogue operas, either full-length or in the form ...
b. 1930 American composer and lyricist Sondheim studied with Oscar Hammerstein II (1895–1960) and Babbitt. Early work as a lyricist for Jules Styne’s (1905–89) Gypsy (1959) and Bernstein’s West Side Story (1957) brought his name to public attention, but it was not until Follies (1971) that he achieved recognition as a composer. His work is marked by a biting wit ...
(Vocal/instrumental group, 1968–70) When on a US tour with The Hollies, Graham Nash (vocals, guitar) had sown the seeds of a ‘supergroup’ with ex-Byrd Dave Crosby (vocals, guitar) and Stephen Stills (vocals, guitar) from Buffalo Springfield. The new combine rehearsed in London for an eponymous album that featured hippy lyricism, flawless vocal harmonies and neo-acoustic ...
(Vocal/instrumental group, 1966–68) Migrating from New York to Los Angeles, Stephen Stills and Richie Furay rehearsed with a third singing guitarist, Canadian Neil Young, who recommended Bruce Palmer (bass) and Dewey Martin (drums). 1967’s Buffalo Springfield was remarkable for an acoustic bias and clever vocal harmonies. A hit single, ‘For What It’s Worth’, and healthy sales ...
Derek Trucks was born in Jacksonville, Florida in 1979. Trucks bought his first guitar at a yard sale for $5 at age nine and became a child prodigy, playing his first paid performance at age 11. Trucks began playing the guitar using a ‘slide’ bar because it allowed him to play the guitar with his small hands. By his ...
Blues-rock guitarist Mike Bloomfield was born in Chicago, Illinois in 1943, to an affluent Jewish family. He possessed an innate ability on guitar, which he began playing at the age of 13, initially influenced by Scotty Moore. Despite his background, Bloomfield quickly became a devotee of Chicago’s indigenous blues scene, frequently visiting clubs on the ...
(Guitar, 1943–81) Once a mainstay of Chicago’s Paul Butterfield Blues Band and the shorter-lived Electric Flag, Bloomfield was a prime mover in an apparent shift towards recognition for individual players rather than groups in the late 1960s. Joined by guitarist Stephen Stills and organist Al Kooper, his modestly titled Super Session was the best-selling CBS album of 1968. ...
Canadian rock legend Neil Young (b. 1945) has become respected as much for his playing as for his composing and vocal work with his occasional partners Crosby, Stills & Nash. Born in Toronto, Canada, Young got a ukulele from his father for Christmas in 1958. In 1960, Young moved to Winnipeg with his mother. A poor student ...
Brooklyn’s Steve Stevens (b. 1959) grew up as a fan of progressive rock and honed his chops by studying guitar at Manhattan’s LaGuardia High School of Performing Arts. He worked the Long Island and Manhattan club scenes with bands and eventually was hired for session work, including tracks for ex-Kiss drummer Peter Criss. But Stevens’ star really began to shine ...
Sound effects and instruments trouvés include found objects and specialist machines for making noises. Composers have made extensive use of both sound effects and found objects in orchestral music, especially in music for theatre, dance and opera. Sound Effects The wind machine was originally a theatrical sound effect, and is a cylinder of wooden slats with a canvas ...
This section encompasses styles that were, at least initially, designed to work in tandem with other forms of expression, deepening or enhancing their impact. The scores of musical theatre are woven into stories played out by the characters on stage. A film soundtrack is composed to interlock with the action on a cinema screen, while cabaret songs ...
‘The Trojans’ Composed: 1856–58 Premiered: 1890, Karlsruhe Libretto by the composer, after the Aeneid by Virgil Act I The Trojans celebrate peace and admire the wooden horse left by the Greeks after the siege. Cassandre (Cassandra), King Priam’s daughter, forsees the fall of Troy. Her husband Chorèbe (Coroebus) urges her to join the celebrations, but she begs ...
(Vocal/instrumental group, 1970–present) An Anglo-American trio formed in the UK by Gerry Beckley (guitar, vocals, keyboards), Dewey Bunnell (guitar, vocals) and Dan Peek (guitar, vocals, keyboards), sons of US military personnel and British mothers. America’s acoustically backed three-part harmonies were reminiscent of Crosby, Stills and Nash. Best-known for the transatlantic 1972 hit ‘Horse With ...
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